Ngeende Kuba Skirt

£375.00
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Beautiful Ngeende skirt from the Bushoong people worn by both men and women from the Democratic Republic of Congo from the 1940’s. Although the pattern differ for each sex.

The harlequin pattern is often reserved for the male wearers and purple is a colour which often represents royalty and wealth. This piece also has cowrie shells attached which are symbols of wealth, prosperity and fertility.

The raphia skirt would be bunched up and wrapped around many times.The Kuba tribe are highly regarded for their rafia work, weaving ‘dance skirts’. Using appliqué, embroidery, cut-pile and resist dyeing techniques, the Kuba have one of the largest textile repertoires in the whole of Africa.

Kuba men weave, while the women embroider and appliqué. Appliqué is used for not only decorative but also utilitarian purposes. Unfortunately, raphia cloth is not very durable, so the pounding often results in holes in the cloth, which the decorative appliqué covers up.

This piece has some holes and stains due to age. There is a patch photographed above showing a area which wax has stained the fabric.

70x360cm

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Beautiful Ngeende skirt from the Bushoong people worn by both men and women from the Democratic Republic of Congo from the 1940’s. Although the pattern differ for each sex.

The harlequin pattern is often reserved for the male wearers and purple is a colour which often represents royalty and wealth. This piece also has cowrie shells attached which are symbols of wealth, prosperity and fertility.

The raphia skirt would be bunched up and wrapped around many times.The Kuba tribe are highly regarded for their rafia work, weaving ‘dance skirts’. Using appliqué, embroidery, cut-pile and resist dyeing techniques, the Kuba have one of the largest textile repertoires in the whole of Africa.

Kuba men weave, while the women embroider and appliqué. Appliqué is used for not only decorative but also utilitarian purposes. Unfortunately, raphia cloth is not very durable, so the pounding often results in holes in the cloth, which the decorative appliqué covers up.

This piece has some holes and stains due to age. There is a patch photographed above showing a area which wax has stained the fabric.

70x360cm

Beautiful Ngeende skirt from the Bushoong people worn by both men and women from the Democratic Republic of Congo from the 1940’s. Although the pattern differ for each sex.

The harlequin pattern is often reserved for the male wearers and purple is a colour which often represents royalty and wealth. This piece also has cowrie shells attached which are symbols of wealth, prosperity and fertility.

The raphia skirt would be bunched up and wrapped around many times.The Kuba tribe are highly regarded for their rafia work, weaving ‘dance skirts’. Using appliqué, embroidery, cut-pile and resist dyeing techniques, the Kuba have one of the largest textile repertoires in the whole of Africa.

Kuba men weave, while the women embroider and appliqué. Appliqué is used for not only decorative but also utilitarian purposes. Unfortunately, raphia cloth is not very durable, so the pounding often results in holes in the cloth, which the decorative appliqué covers up.

This piece has some holes and stains due to age. There is a patch photographed above showing a area which wax has stained the fabric.

70x360cm